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      <image:caption>Photo by Mark McCarty</image:caption>
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      <image:title>Screenplays - MY DARLING VALENTINE</image:title>
      <image:caption>LUKE: You know, it’s one thing to steal your daddy’s car. It’s another to drive around like you just f***in’ stole your daddy’s car.</image:caption>
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      <image:title>Screenplays - THE KINGS OF CONEY ISLAND</image:title>
      <image:caption>FALLON: You boys go to school, take history lessons? Government, law, stuff like that? Well, here’s a little lesson in local politics, if I may use such a dirty word. We’re the law around here. You may notice that you’re here instead of the precinct. There’s a reason for that. Anything and everything that happens in these two square miles of our beachfront community, we’re gonna know about.</image:caption>
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      <image:title>Screenplays - THE GLASS STAGE</image:title>
      <image:caption>ASHER: I’ve been opening doors for people above my social standing for most of my life. And in a position like this you learn a lot about human nature along the way. Most people who come into this house, when you open a door for them, will walk right by you as if you weren’t even there. But every once in a while...you’ll see someone stop, hesitating at the threshold, not knowing if they’re welcome, if they belong. But in all my years, if there’s one thing that I’ve learned, Ms. Murray...You belong.</image:caption>
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      <image:title>Fiction</image:title>
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      <image:title>Fiction</image:title>
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      <image:title>Fiction</image:title>
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    <lastmod>2018-11-27</lastmod>
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    <lastmod>2024-08-09</lastmod>
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      <image:title>Teleplays</image:title>
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      <image:title>Teleplays - THE BACK UP</image:title>
      <image:caption>TARA: Ugh. Is that him? I thought he was, like, buff? He looks like a f***ing flannel corndog. AGENT STANDISH: Well, it is still morning -- maybe he just woke up. TARA: No amount of waking up is gonna fix that.</image:caption>
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      <image:title>Teleplays - FUTURE PERFECT</image:title>
      <image:caption>LAWRENCE: So she’ll be a robot.  BLAKE: Eh. We prefer to think of it as just another, more perfect version of her. Her “better self.”</image:caption>
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      <image:title>Teleplays</image:title>
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      <image:title>Teleplays - Ted Lasso - "Saint Valentine"</image:title>
      <image:caption>TED: Guess it’s kind of funny both our favorite Valentine’s Day memories are of the non-romantic variety. Might not bode too well for our romantic prospects, huh? REBECCA: I wouldn’t say that. You can have nothing but bad dance partners and still love to dance. And if you’ve got to dance on your own for a little while ‘til you find the right partner...sometimes it makes it even better when it finally happens.</image:caption>
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      <image:title>Teleplays - What We Do in the Shadows: "Baby Talk"</image:title>
      <image:caption>LASZLO: We’re not even feeding him anything -- how the fuck does he shit so much? — INT. GRAND HYATT - NIGHT Nandor, still in the Scream mask, approaches a YOUNG WOMAN, CLARICE (early 20s), seated behind a check-in table. CLARICE: Hi. What’s your name? NANDOR: Nandor the Relentless. She casually scans the guest list as if he’d said “John Smith.” CLARICE: Hmmm...I’m not seeing you here. Would it be under one of your wives’ names, maybe? NANDOR: I don’t know. There are thirty-seven of them. CLARICE: Oh! I think I saw you in here...(She flips to the last page, scanning a hand-written addendum.) Yep, “Guy with 37 Wives.” Must be you. (puts a check next to it) You are all set, Guy. Have fun. NANDOR: Thank you very much. — NADJA: We sucked every bit of love juice out of each other and kept going until we passed out from exhaustion. Neither one of us could move for like three days after. (she ruminates) I wonder if it’ll be like that when we see each other again. (beat) Come to think of it, I do kind of miss him. Maybe a little bit. And that “little bit” that’s only his misses him a lot. You know, my little rosebud. The way he talks to it, like a little baby...</image:caption>
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      <image:title>SUNSET EXILE</image:title>
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      <image:title>Night into Day - Photo by Richard Lovrich</image:title>
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      <image:title>Night into Day - Photo by Albert Gnidica</image:title>
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      <image:title>Night into Day - Photo by Michael Wagner/Perceptible Design</image:title>
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